While most of my beloved objets d'art are mass produced and quite common, I do own a few rare items. For instance, I fell in love with The Nightmare Before Christmas upon its initial release and started buying the few collectibles available as far back as 1993. How many other modern-day collectors went through the Burger King drive-thru just to buy not one, not two, but three Nightmare watches for $3.99 apiece? Just me, baby. I also have a few one-of-a-kind pieces, as you can see below.
Wednesday, November 02, 2011
Day of the Dead
I'm quite the collector. Or at least I used to be. As much as it pains me to say it, it is possible to have too many things. That's what has happened with what I have variously referred to as my skull collection, my Day of the Dead collection, or my "you know, stuff" collection. My collection -- consisting mostly of Day of the Dead figurines, monster movie memorabilia, and assorted morbid trinkets -- now fills the shelves, drawers and top of a large curio cabinet and I've had to admit to myself that it's pretty much complete, simply because I have no room for any more, you know, stuff.
While most of my beloved objets d'art are mass produced and quite common, I do own a few rare items. For instance, I fell in love with The Nightmare Before Christmas upon its initial release and started buying the few collectibles available as far back as 1993. How many other modern-day collectors went through the Burger King drive-thru just to buy not one, not two, but three Nightmare watches for $3.99 apiece? Just me, baby. I also have a few one-of-a-kind pieces, as you can see below.
This is Jennifer. I know she is one-of-a-kind because I made her myself nearly 20 years ago. (Criminently, I'm suddenly feeling old.) This Day of the Dead doll is based on a young woman named Jennifer who used to do the children's storytime at my place of employment. I worked very hard to get the details right in her outfit: she frequently wore black pants and a black blouse with a bright pink floral vest, and she also donned her blue work apron on the sales floor. I like this doll because I can see its handmade quality, right down to my fingerprints on her shoulders and shoes. The real-life Jennifer and I were not friends but we were on a friendly basis; today, however, I have no idea why I decided to capture her in action in a Fimo Day of the Dead figurine. I also couldn't understand why she simply would not take it when I made a gift of it to her -- it never occurred to me that someone might freak out seeing a small representation of a dead her. Today, small Dead Jennifer resides in a little glass case inside my larger curio cabinet, surrounded by equally small plastic and plaster skulls and Little Big Heads. It's a dark, quiet life, but at least she is wanted here. If I ever decide to make another Day of the Dead doll, it will either be something generic or it will represent someone who's already dead.
While most of my beloved objets d'art are mass produced and quite common, I do own a few rare items. For instance, I fell in love with The Nightmare Before Christmas upon its initial release and started buying the few collectibles available as far back as 1993. How many other modern-day collectors went through the Burger King drive-thru just to buy not one, not two, but three Nightmare watches for $3.99 apiece? Just me, baby. I also have a few one-of-a-kind pieces, as you can see below.
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